日常成席 · 实际生成提示词

使用内置 image_gen，非CLI。均为AI辅助位图构图研究，不是手绘矢量定稿。输出1536×1024 PNG；原始生成文件保留。

A1 / 叙事初稿

Use case: illustration-story.
Asset type: a richly developed original master illustration for the Chinese fresh-meat brand 鼎味, creative direction “日常成席”. This is the FIRST full artistic composition from which a future identity may be derived, NOT a minimal icon, NOT a finished logo, NOT a mood board or phone mockup.
Create a single sophisticated landscape artwork with deliberate composition and substantial drawing craft, contemporary Chinese domestic still-life interpreted through finely cut relief-print / wood engraving and restrained flat pigment. Quiet confidence, appetizing everyday life, thoughtful preparation with room for the person; mature rather than cute or nostalgic.
Scene: an oblique close view across a modest table corner. A generous shallow ceramic platter of home-cooked sliced pork with green pepper is the central visual anchor, not a photoreal photo. An empty small rice bowl and a pair of chopsticks resting flat together at the side suggest a place about to be used. A folded linen cloth falls over the near edge; its large quiet fold carries the composition down into open paper. Behind, a separate wooden preparation board with a few cut green-pepper segments gives a secondary rhythm of careful preparation. No raw meat beside cooked food. No people, animals, luxury props, kitchen-room backdrop or decorative flowers.
Composition: one coherent asymmetric still life, close cropped table edge and substantial open paper around it, overlapping forms and a clear visual hierarchy, not a catalog of scattered food objects. The arc of the serving plate and the cloth's fold should form a compelling visual relationship worth exploring later, without hiding an infinity sign, heart or emblem. One open area of table makes room for the viewer. Richness comes from relationships and structural detail rather than covering the whole sheet.
Craft: exquisite directional carved linework describing ceramic rims, meat fibers, pepper skins, wood and woven linen; varied line weights, broad solid ink passages against precise interior hatching; intentional rhythm, not coarse grunge/noise. Use dark forest-ink, subtle warm clay accent in cooked food, muted herb green and natural ivory paper. Avoid antique sepia, glossy 3D, computer clip-art and generic food watercolor.
Text: only the exact Chinese brand name “鼎味”, drawn in considered substantial Chinese lettering integrated along the lower compositional edge, like the visual anchor of the picture, clearly readable with correct characters. Not a tiny stamp, not random calligraphy, not a slogan. No other text, numbers or invented certification.
Allow this to be detailed and artistically rich. Do not simplify it into a vector symbol. It must feel like an authored brand-world artwork, not merely a stock restaurant ad.

A2 / 叙事手法调整（编辑A1）

Edit the supplied brand master illustration for 鼎味. Preserve the same core narrative and objects (plate of pork and green pepper, rice bowl, resting chopsticks, preparation board with pepper, folded cloth, the brand name), but REART-DIRECT the graphic treatment from rustic restaurant advertising into a sophisticated contemporary illustrated brand artwork. This is a substantial hand-crafted full composition, NOT a minimalist logo.
The essential correction: replace indiscriminate heavy engraving and antique brushwork with selective, finely controlled linework and composed quiet color planes. Keep detailed delicacy in the food, ceramic rims and cloth folds; make the tabletop and most of the board broad quiet planes, NOT dense wood-grain hatching. Clean natural light paper, no yellow aging, no scattered distressed noise. The linen should look woven and tactile with fine sparse structural lines, never burlap or sackcloth.
Preserve the oblique table-edge composition but allow more breathing room; avoid filling every inch with etching. Plate and textile fold remain the principal interacting forms. Crisp dark botanical-green ink, pale cool mineral-green ceramics, subtly warm cooked food, clean ivory field. Material-specific lines with excellent control, not cartoon outlines or glossy photo.
Replace the large aggressive brush-calligraphy “鼎味” with the EXACT same two Chinese characters “鼎味” in refined solid authored Chinese display lettering: readable, grounded, moderate stroke contrast, shaped terminals, no flying brush tails, no faux antique seal script. Align it meaningfully with the table edge and the fold, not a wordmark floating under a stock illustration. Remove the little red seal entirely, no invented certifications, no additional words or new objects. Do not add a border or emblem frame.
Aim for a richly considered yet fresh, calm contemporary work that can seed an identity system. Do not simplify away the scene.

B1 / 字图共构（独立生成）

Use case: logo-brand.
Asset type: RICH illustrated typographic masterwork for brand development, not a final tiny logo.
Create an original sophisticated Chinese brand artwork with EXACT large Chinese characters “鼎味”. Do NOT default to a minimal symbol. The user explicitly wants deeply explored complexity before simplification.
Composition: a single coherent, fully visible standalone letter-and-illustration composition occupying the central 75% of a landscape ivory sheet, ample margins. The two Chinese characters 鼎味 themselves are the main architectural structure and occupy more than half the artwork, beautiful readable bespoke Chinese lettering with controlled wide/thin stroke contrast, grounded horizontals, shaped ends, warm sculptural curves rather than aggressive brush flicks. Legible “鼎味” is essential.
The picture and lettering must be genuinely interdependent: a perspective tabletop edge meets and continues the strong lower horizontal/vertical structure of the lettering; a small precisely engraved shallow plate of sliced pork and green pepper rests in the upper compositional space; a folded fine linen cloth passes behind and reappears between lower portions of the characters with clearly drawn over-under relationships; a small ceramic bowl and a pair of chopsticks laid FLAT give a human place within the artwork. Food and utensils are secondary to the large lettering, not a giant food photograph above a caption. Keep the essential Chinese character structures intact; no random replacement of necessary strokes with utensils. Close relationships and rhythm, not a collage of stickers.
Art direction: contemporary finely engraved graphic art, almost a sculptural printer's ornament with confident solid dark forest-green letterforms and exquisitely fine directional green linework for ceramic and textile surfaces. Mature, intimate, accomplished, quietly abundant. Rich hatching only where structurally meaningful, contrasted with broad clean white openings. Limited forest green and subdued sage on crisp ivory; perhaps tiny warm food accents. Flat printed artwork, NOT realistic oil-painting, NOT watercolor, NOT a photo, NOT fake 3D/embossing, NOT aged parchment or coarse wood-grain. No framed badge, no circular/diamond enclosure, no birds, no infinity, no heart, no added unrelated foliage/flowers, no red seal or calligraphy stamp, no English or slogans, no watermark.
Deliver a complete artistic composition that could lead to a distinctive illustrated trademark, allowing details and giving them hierarchy. Do not put a conventional wordmark below a separate scene; visually author the letters and scene together.

B2 / 平面化（编辑B1）

Edit this illustration with ONE essential art-direction change: convert the entire artwork into a flat TWO-INK PRINT on a uniform clean light ivory paper background. Preserve the two readable Chinese characters 鼎味 and the existing composition/overlaps of cloth, serving plate, bowl and chopsticks. Remove ALL dark vignette, spotlight, glow, drop shadows, embossing, bevels and atmospheric shading. The background must be uniformly light ivory all the way to every corner. Letter interiors should be solid matte dark forest green, NOT glossy or edged in highlights. Depict the cloth and utensils as elegant fine green engraved line drawings with generous paper showing through, not photo-textures. Food may have a little muted warm ochre as second ink. Keep the detailed drawing and large lettering; do not reduce it into a tiny symbol. Remove the tabletop's thick 3D front face so only its delicate structural edge anchors the artwork. No seals, new text, borders or new objects. This is a crisp mature flat graphic masterwork, not a dramatic restaurant poster or a rendered sculpture.